Wednesday, June 22, 2016
Pulling out of the dark ages
The distractions have mostly been in my own mind. I can't believe that I am already in my third week here. Time is a great gift, but it isn't everything I hoped it would be.
Sunday, June 12, 2016
Checking in a week later
I am able to use my studio walls to map out a larger art history project.
Every day I research, try to write 2000 words, and paint the images that come up for me. I barely do anything else. Thank God I have a work grant and have to show up in the kitchen to prep meals, as it is the only way I meet people. It's been cold and rainy and that helps keep the focus tight and inside.
First I struggled with authorship and having the right to write my own art history. One quote on my wall is: I will not be afraid to imagine new narratives for famous old works. I think this is going to...this has to involve sex, religion and politics.
Calling the hundreds of female sculptures found from the Paleolithic period "fertility figures" seems a bit dismissive to me. How were the distorted body forms affecting the women of that time? Some think the works- the tiny stone/bone carvings and clay sculptures- are the product of women artists working on self portraits without mirrors. That would explain the extreme foreshortening, the tiny feet and the almost non-descriptive heads. The research woke up my "inner Barbie", and all the vexing standards for female beauty that still haunt women.
Every day I research, try to write 2000 words, and paint the images that come up for me. I barely do anything else. Thank God I have a work grant and have to show up in the kitchen to prep meals, as it is the only way I meet people. It's been cold and rainy and that helps keep the focus tight and inside.
First I struggled with authorship and having the right to write my own art history. One quote on my wall is: I will not be afraid to imagine new narratives for famous old works. I think this is going to...this has to involve sex, religion and politics.
Calling the hundreds of female sculptures found from the Paleolithic period "fertility figures" seems a bit dismissive to me. How were the distorted body forms affecting the women of that time? Some think the works- the tiny stone/bone carvings and clay sculptures- are the product of women artists working on self portraits without mirrors. That would explain the extreme foreshortening, the tiny feet and the almost non-descriptive heads. The research woke up my "inner Barbie", and all the vexing standards for female beauty that still haunt women.
my constant companion |
never done, never good enough |
my inner Barbie |
Labels:
beginnings,
inspiration,
installation,
material,
method,
original art,
signs,
studio,
time
Monday, June 6, 2016
A Really B*I*G gift
#Vermontcenterstudio #IlovetoPaint Yesterday, I flew into Burlington and drove through the rain to Johnson to be presented with my lovely, huge, empty studio. Here I will suffer, play, struggle, and rejoice for the next month as I do what I love best- make things!
I'm on the top floor, and back end of the Kahn barn. I love VSC!!!
I'm on the top floor, and back end of the Kahn barn. I love VSC!!!
Labels:
beginnings,
gift idea,
gratitude,
studio,
Travel
Saturday, June 4, 2016
My favorite ingredients
for a birthday meal:
the potato and a suitcase.
It's one of my life's best and simplest pleasures.
My bags are packed.
Tomorrow I head out to my painting residency!
the potato and a suitcase.
It's one of my life's best and simplest pleasures.
My bags are packed.
Tomorrow I head out to my painting residency!
Wednesday, June 1, 2016
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