Thursday, December 31, 2020

Thankful to be a teacher

My Classroom in Zermatt was in a hotel, with tables lined up for a dozen students in each of the 4 classes. We covered the development of art and it's reflection on human's search for meaning, from prehistory to the Baroque periods. The students came from all over the United States and were high-achieving, brilliant, kind kids. They soaked in all the information and then, because we lived together, I was able to witness the real life application of their knowledge in conversations over dinner or walks in the village, and in the field trip to France. We moved in pods to keep clear of the virus and were together 24/7. Between classes we were with them as we traveled, hiked or skied.

I am so grateful for the opportunity to improve my teaching. I had a co teacher, Nicki D'Onofrio, who really knew her Italian classics and shared her passion for mythology. Together we bounced through the material and learned from each other. It was great having a partner so young and vivacious... as an exercise freak, she was nicknamed by the kids, "Quadzilla". I was called "Bob Ross" as my radio label, perhaps because I could seem pretty calm no matter the incident?

The sweetest part of the whole gig was being able to teach live.We did not resort to screens or virtual environments. The kids were stripped of any technology- no phones or computers, and they wrote everything out in pen or pencil! Research involved library books. Very old school. 

It took a lot to write out essays and make note cards and read 20 pages of text book a night. So the rapid hikes over mountain passes and to trail huts really did keep the body in check and help the focus. 

The schedule for a school day looked like: early breakfast and pack a lunch, three-hour-long morning classes within the hotel, a 5-hour break where we skied or climbed or hiked, followed by three more classes in the evening, a quick sit down dinner, a two-hour study hall and a 15-minute break before lights out! This went on for days, and days, regardless of the calendar! Then suddenly there would be an announcement of brunch, followed by a two-day hike or a 70-mile bike trip or paragliding options. 

While I was teaching, I was learning. A lot.

Swisssemester.org equals learning, persistance, endurance, and endorphins




 I was pretty quickly shocked by the daily athletic requirements of the program, but with persistence I was able to cut my lag time from over an hour to 5 minutes behind the rest of the 48 teens! It felt like that was a wonderful achievement. I can only hope to get even more fit. Swiss semester put me out of my comfort zone and gave me the hiking bug! Seriously, it was a gift to be able to thrash my body against the natural elements and reduce the scope of my worries to the next couple of steps or the next breath. I felt all my worries about American Politics, family health, a purpose in life, etc, just fall away. Each day was planned and assigned.  Outside of classes, all I had to do was follow directions, read the trail markers and make it to the meeting places. You had to be flexible and open to changes. A lot depended on the weather and us keeping Covid virus safe.

#newhobby #athletic #challenges

Took a teaching job in Europe and high-tailed it out of here!






 I've been offline for the last few months. Had an amazing opportunity to work with some superb teenagers in a foreign country. I hiked, and skied and taught art history and watercolor painting. #swisssemester 

FABULOUS TIME

Monday, September 7, 2020

Dignity for Jo Davidson

This is personal family history, art history and American History!

Taken from text written by Bradbury Kuett:

The Centerpiece of the Louis I. Kahn designed FDR Four Freedoms State Park on Roosevelt Island in New York is a triumphant bronze head of FDR, sculpted by the renowned artist Jo Davidson, a fervent supporter and friend of the president.

At the park's entrance there are engraved the names of the architect, the founder of the Park Conservancy, and the donors, but Jo Davidson's name is nowhere to be found.

Appeals to the board to engrave Jo Davidson's name have been met with silence. This unfortunate oversight, inconsequential in the view of the board, is a slight that, in effect, denies Jo Davdison his rightful recognition in American art History. Whereas Jo Davidson should be heralded as an American success story of consummate artistry, the board's silence is an outrage thrown onto the great heap of innuendos and falsities hurled upon Jo, a native son of the lower east side.

Jo Davidson should be celebrated beyond prominence as an artist. Chairman of Independent Voters' Committee of the Arts and Sciences for Roosevelt, and vice chairman of Emergency Committee to Save the Jewish People of Europe, Jo chose with a colleague the site of the Warsaw Ghetto Memorial Piaza in Riverside Park.

While Jo was under constant surveillance during the Cold War, the government targeted his two sons. Jacques (Tilly's note: my stepgrandfather) a Voice of Freedom (VOA) to the French under German occupation, was blacklisted, fired from CBS radio without cause. U.S. agents urged without success, Agence France Presse in D.C. to fire Jean.

Of note, Danielle Benedite, brother of Jacques wife, worked with Varian Fry in Marseille France, and saved some 1500 people from Nazi capture.

We ask that the Park's Board Chair Barbara Shattuck Kohn, Vice Chair Katrina vanden Heuvel and President Sally Minard redress this unjust situation by engraving the name of Jo Davidson on a plaque at the Park's entrance, similar to the one honoring Loius. I. Kahn. And we ask your support in this effort


Facebook: DignityforJodavidson

contact dignity4JoDavidson@gmail.com

Monday, August 17, 2020

Storms and blessings as Tree stories continue

The trees were thrashing about, their limbs flying through the air. Leaves and acorns and twigs covered the ground. I heard cracks and soft heavy thuds. Every tree around me completely defined the wind.

 After the storm passed, the next day was sunny and the air filled with sounds of chainsaws and generators. My Pa was out there removing huge trees off the fence lines and feeling gleeful about the winter fuel. 

Living on a farm in the country means you live in the company of trees. I continue investigating into my insecurities, by painting 100 trees....

I am tapping into my youthful artist within and reflecting on the models and memories of my artistic path.

This is an early memory of the first art club I belonged to. My dad started the Home Farm Artist's Association by placing his daughters and nieces on the hay wagon, with a can of crayons, while he worked the fields. We drew all day, side by side, eeking out our own interpretations of the landscape, and mounted shows in the evening for our grandparents and their cocktail party friends to enjoy.

Such is the life and the good foundations of an artist's family. I feel blessed.