This article appeared in print in the Lakeville Journal's Compass 11/14/19
Brutal Flowers
Baranova's Brutal World |
Do you crane your neck to see the car crash by the side of
the road? Do you wonder at the story behind the anemic mug shot? Does your phone
ping for every notification of a catastrophic headline? Tragedy and death may
be among us, but a vicarious front row seat to it is an experience that is only
infrequently offered.
For those of us in the Northwest corner, there is some quiet
melodrama going on at the Standard Space gallery on the green in Sharon. It’s
all drama, from the title of the exhibition to the stark display of medium-format
color photographs. Florals march along the walls in single file.
Marina Baranova has titled the show, “This Brutal World” and,
when asked about it, only says, “its beautiful too”. Baranova is Russian and
was raised in Finland. She moved to New York seven years ago and specializes in
portraits of performance artists. The fading flower series began between her
photographic portrait shoots when she noticed flowers left in the studio
bathroom by the neighboring floral designer. Baranova started bringing the limp
bouquets into the portrait setting and through the lens of her Hasselblad
camera, and with the natural studio light, she choreographed dark punctuations of
a floral swan song.
Having just turned forty, Baranova admires the visual traces
of age and comments philosophically on the rapid transformation of celebratory
flowers to the tissue-like delicacy of the dying bouquet. Her photos capture a
moment and thereby Baranova does her part to arrest time and halt the oblivion
of death. She is memorializing life at its sensitive and vulnerable last gasp.
You can hear the flowers moan and imagine the offering of forgiveness that can
only happen at a deathbed of secrets.
The artist’s focus on the delicacy of dead flowers set
against a backdrop of blackest black is far from dreary. The work summons up
our collective memory of fresh blooms and hints at a feeling reminiscent of
better times and richer moments. Perhaps they remind one of the slip-covered
sitting room of an aristocratic auntie. Developed with a richness that is
mesmerizing in its soft sheen, the photographs within their simple black
frames, create an almost funereal procession.
There is something pure to the course of Baranova’s process.
She shoots using real film and only under conditions of available natural
light. The velvety black hand-printed square format type C-prints have a focus
that is intensely shallow, literally forcing a bloom into focus and leaving the
vase in a blur. Having recently moved to a new studio, Baranova commented that
the light is no longer the same and the series is probably over. Though this
may be a one-act play, don’t discount Baranova’s future. Her prowess with film
displays an artist’s masterful control of the lens and our imaginations.
This Brutal World will be up through December 8th.
Standard Space is at 147 Main Street,
Sharon CT
Open Friday to Sunday, noon to 6pm, or by appointment.
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