Virtual Art talk May 5th 7pm

 

Hey friends!

Mark your calendars and drop in next Thursday evening to a zoom gathering of my latest workshop, “Producing an Art Series with an Accountability Coach”,  participant’s culminating show. For six weeks this winter, through the sponsorship of Arts-Midhudson,  I worked as an accountability coach for artists seeking to develop a series of work. Every Tuesday evening we would check in with each other, give feedback and celebrate the progress. 

See link below to RSVP:

https://www.artsmidhudson.org/artist-talk

The artists who participated are from NY to NM. One artist had just moved and created a series of 30 collages constrained by the size of her cardboard boxes. Another created a series of expressive works intended for a large exhibition in New Jersey. Another artist used the six weeks to paint and mourn the recent loss of her siblings. A couple artists are new to the art world and allowed themselves to experiment, produce, and plan exposure. The collaborative support and wisdom of the group was so exciting. Two artists used the time to create illustrations following a specific screen play or children’s tale. They experimented and created in new media, combining the processes innovatively. Subjects range from Goddesses to grids. 

Drop in next Thursday to see what happened. 

I have been an artist long enough to grow two babies to young men! With all the distractions of motherhood and farm life, I have found the parameters of working in series to be the best way to show up for myself. It’s about discipline and curiosity. the most exciting thing is to look back at the end to the beginning. There are so many lessons to gather along the way! My next workshop is already full. We max out at 7-9, so everyone gets time to share and the attention they deserve. Perhaps this is something you or a friend of yours might be interested in participating in someday? Feel free to shoot me an email and i will put you on a waiting list.

Have a wonderful weekend.

Hope to see you at the show!

Tilly

To RSVP:

https://interland3.donorperfect.net/weblink/WebLink.aspx?id=291&name=E231621

Visibly Shaken

Perhaps it is the triple threat of a new year, finding myself 60 years old and in a novel government job, that gets me peering hard into the calendar, the mirror and the myths. 

 

Self portrait, made of maps

The new year is a natural time to switch calendars and start new planners. January seems the month to revisit goals and make resolutions, and to reflect on how I have shown up, as well as who is new and who is missing. There are no kids in the house anymore. The covid years, and resulting lack of visitors, have me less defined by housework.

 

Self Portrait with Broom and Carmella's shoes

Being 60 adds a new cloak of invisibility to my wardrobe. Sometimes I am startled by my reflection, and I see how much I look like my mother. There is also a newfound sense of abandon. I care less about the social restraints of the patriarchy. I ache for a revitalized sisterhood, and I find myself greeting the moon, in all her cycles, as an old friend. My nurturing impulses, faced with an empty nest, have shifted my focus more deeply toward the community and wider environmental politics.

 

Self portrait with (map) wings

As Town Clerk of North East NY, I find myself in a totally novel position. I’m not a teacher, or an artist, or an explorer. Instead, I am a historian, a record keeper, a resource, and member of a tight group of secretaries. The childhood spent playing with office supplies has come full circle. I can be in my glory with file cabinets, complex self-inking stamps, binders, clips, and pens. People come to my office with questions I research. Every day is as varied as the season, and the faces are the people who make up this beautiful area. It’s an incredible honor to be trusted and of service. As one of the many rolls I play, I am also, quite unexpectedly, Receiver of the Taxes. It is a challenge. I think of the Beatles song. I think of sheriff Nottingham and Robin Hood. Nobody likes the tax collector. Anger, frustration, and fear is vented towards a cartoon figurehead, who happens, right now to be me!

 

Disney's Sheriff Nottingham

In the vein of owning my own visage, I have returned to my Art History as Seen through the Family Tree passion project. The grand narrative of history is a backdrop to multiple family members who participated in major movements. Each generation had its blind spot and from their personal stories and my perspective, I reflect in painting on a history that is far from perfect and continually revealing. My goal this winter and spring is to find an agent or publisher. I will be posting the process on my Instagram (tilly strauss) account and sharing insights as I go along.

 

Thank you for reading.

Signs and Numbers

 Just like we have Thanksgiving day to be thankful, we have New Year's day to reflect on the shadow of our footsteps, and muse upon our future strides. It falls on a calendar juncture, at the peak of winter, after the solstice shifts us minutely towards the sun. "Winter," as Paul Theraux said, "is a season of recovery and preparation".

This is the 16th year I have been blogging. Some years I am more consistent than others- but last year was the worst with the lowest amount of (25) postings. It looks like I logged in as more of a book reader than a writer! The number of books read is 27. 

In order to navigate the economics of my age and culture, I have become an example of a successful artist having multiple diverse income streams. For the last nine months I have been helping catalogue, archive and exhibit a collection of art by the late Carl T Linden of Chicago. Starting last summer I ran two very inspiring 6-week art coaching workshops for artists across the country. I have, since October of 2021, taken a job at the Town Hall as the Town Clerk. All of this is fascinating and leaves less time for personal practices.  

For several years...5 or 6 now...I have been writing and illustrating an art history text, based upon my family tree and inspired by ancestors who were influencers in the art world, going back beyond the fifteenth century. The project is huge and each year the research ebbs and flows. What keeps me going are the odd signs and messages that I seem to find just when I need a push to keep going.  

Here are two very recent examples. 

1. While cataloguing Carl T Linden's portrait paintings, most of which are unsigned, undated, and untitled, I came upon one that was a double portrait with the names of the sitters written on the back! Imagine my surprise to find one was Frances Cowles, and the other was Betty Groves of Bensenville, IL. This discovery was early summer, when I was debating a late summer trip to DesMoines ,Iowa with my mother to research the Cowles side of my family. Frances turns out to be a distant relative- our great, great, great, great, grandfathers were brothers. She is also the mother-in-law of the artist I am archiving! I took that as a sign to make the trip to Iowa in the path of my great grandmother Florence Cowles. 

Frances Cowles and Betty Graves by Carl T Linden, oil on canvas

2. While researching the Meskwaki Tribe, because of my great great grandfather's direct hand in taking land to establish the incorporated city of Algona, I have been slowed by the dread of my ancestors homesteading settler mentality of "Manifest Destiny" and their hands in the outright stealing of lands of First Peoples. My great great grandfathers and their brothers fought in the Black Hawk Wars, which not only massacred the indigenous peoples, but led to our government embracing policies of extermination. I read the story of the last great Comanche leader, Quanah Parker. I am lining up images as reference sources for some illustrations. This photo from the Ft Sill Museum shows Parker with guests at his Star House dining room. The art on the walls are advertising posters. The one behind his head is for the Strauss Brothers of Chicago! It feels like a sign from my ancestors to get my studio, and set up the process for painting again!

Quanah Parker entertaining in his home near the Wichita Mountains and cache Oklahoma c. 1885/ photo from Ft Sills Museum

I conclude, that I will keep doing many things; keep painting and writing; keep trying to stay healthy with walking and yoga practices; keep in community even in times of isolation and keep showing up for the Muse. 

In that vein: Can I ask you: What would you like to hear more about on this blog? 

                                            What interests you and is pertinent to this space? 

If you write me an answer, I will mail you a work of art in gratitude. 

                                            Leave comments below.

The October Blur

I was here. I am here. But much of it feels a blur. We had open studios over two weekends, and family. With 20 other #arteastdutchess creatives we opened our spaces and invited people to explore and see the world a bit like we do. We invited my brother's daughter Natalie to exhibit, Michael's daughter Kylie to read her published poetry (the Fever Poems), and my sister Gwen arrived from France to read from her book.

wolf paintings in the barn

Pa (julian), Michael and Me- with art clinic barn in the background

Invite to the Author reading Saturday the 16th

My wall art calendars for 2022 printed: For the Birds

Wolf painting painted during the open studios: Sneak

Author reading: Kyle Gellatly, Gwen Strauss, Julian Strauss

For a while the barn showed what was inside

Natalie Strauss with studio visitor, artist Alexis Rockman

We had over 77 people visit each weekend. The interaction was so valuable. It is hard to produce art in isolation and then open wide the doors to anybody. But I found it strengthening and invigorating. I also got a lot of tips and recommendations from people. I am full of gratitude.

Alyssa Kogan article on our Amenia portion of the tour in the 10.5.21 Hudson Valley News

 

Even a Wolf Can Have a Change of Plans

      I met this autumn with a tinge of grief. The Swiss semester, where I worked last year, was in full swing and I missed it, even though I’d decided to stay home. In the last 26 years there have only been 3 or 4 Septembers that I wasn’t setting up my classroom. I love being a teacher and matching my energy to the fresh minds of the younger generation. So as the school buses ran up the street and the air got crisp with flavors of summer crops, I was free falling.

 

The Money Tree

        In the studio, I was pouring over deadlines, filling applications, planning exhibitions, and creating for the holiday market. I was also frantically putting up food - canning, freezing, stocking the shelves. Buying a generator.

 

Feed the Wolf

        My daily doodles and larger paintings filled with howling wolves, and stalking felines. They were hungry and I fed them pastry and cakes and set tables for dining with them.

 

Dining for Two

        Then my neighbors called about a position opening at the Town hall. The elected clerk had resigned and there was a need for an appointment asap. After a series of interviews, I‘ve found myself with the keys to the office and days filled with neighbors needing permits, or licenses, decals, certificates, or genealogical documents. Every day is a new adventure.

 

The wolf may have gone away. I can barely see it into the shadows.

 

Howl

       We can never get too serious about life plans and I am glad. If my life had been what I thought I wanted, it would have been so much less. I never dreamed of being a clerk and an artist. It is a balance of community involvement and creative isolation. There is excitement and curiosity, education, and discipline. I’m learning a lot. I love meeting new people and helping them register their dogs or get a hunting or marriage license. I also track down information, register documents, publish notices, transfer phone calls, read reports, balance checkbooks, and smile a lot to put people at ease.

 

Stay tuned to see how this works out!

      

the Orchid and the Wolf

Also, My Open Studio will be mid-October (16/17& 23/24) as part of the arteastdutchess.com open studio tour. Plan on stopping by and seeing all the work in our three-story art barn. My dad Julian Strauss, my partner Michael Gellatly, my niece Natalie Strauss, my sister Gwen Strauss and my spirit-daughter Kylie Gellatly will be sharing their work as well. It’s a family affair!

 

Location 55 Haight Rd, Amenia, NY 12501, both weekends from 11am-5pm. Follow the yellow signs to see studios from Pawling and Holmes to Amenia!

 

Lesson plan for home Equinox Ceremony

 

Expanding the Square

Start with a small back square piece of paper

On the equinox we think about the light, the dark, and the balance of the two opposites. It’s a traditional time to review the past year and note all the events and accomplishments that have lightened up your life. What sort of achievement are you thankful for? How have you grown? 

It is also about taking note of the bitter harvest. What were the hard times and what changes did you have to go through? Like I said, it is all about balance!

Students having fun. Check out samples on wall behind them

 

The NOTAN is a Japanese art concept that plays with the placement of light and dark elements. You cannot have dark without light or light without dark. This assignment will help you feel the balance.

 

You will need:

    4 x 4-inch square black piece of paper

    a regular white sheet of 8 x 11

    pencil

    scissors

    glue…I like glue sticks for this

 

Start by drawing your designs on the small black square, either organic or geometric, touching the straight edge of one side. Repeat along other sides. Avoid adding any element floating in the middle. After drawing lines, cut your black paper, along the lines, from each side of the square. You can draw and cut shapes within shapes- these are called “double cuts”. Nothing is thrown away. Place your square back together and all the pieced should be there. Lay it on your white paper. Then carefully lift your black shapes and flip them open like the pages of a book.  A double cut will be flipped one way and then the other. 

Keep it simple or go more complex

Can you see why this is called “expanding the square”? Your design will celebrate the balance of the fall equinox.

Enjoy

This student has gone on to be an artist @paintingsbycarina.com

 

August happenings

 Hey there- You know the saying "when it rains it pours"?

 So many things have converged and I am proud to say that my art has been able to get out of my studio and into the world!

Right now I have works at the Hunt library in Falls Village, NY, at the Hammond Museum in North Salem, NY and at the Kent Library in Kent Lakes, NY! In addition, I was a panelist with 6 other fantastic artists last weekend at the Hammond. We were talking about emotion and creativity.  Next weekend I will be hosting a free workshop at the same museum on Collage and Processing Trauma. 

 

There are also some virtual shows I am proud to be a part of- such as the Wells International Covid-19 show, a member exhibition with ArtQueens and a culminating show (soon to be up) of my coaching clients, (accountability coaching for 6 weeks for artists, through the ArtsMidhudson.org). 

My day job continues to be herding and inspiring 7- 11 years olds at the community center's summer enrichment program. It fills my days with laughter, but does bring hobbley achy feet by the end of the day.

So I am actually reclining with a lemonade as I write this... getting ready to load the car with more paintings for more places really soon. Thanks again and always for your time and support. It is lovely to be able to make art, and even more fantastic to get to share it with others.

Don't hesitate to reach out for more information!

Cheers!

Fast, breathless, and catching up on the art scene

 Seems like the Covid quarantine days are really behind us. There is so much to do, so much scheduled... that I spend much of my time walking back and forth to the large wall calendar in the kitchen and consulting the scribbles that fill in every nook and cranny of the grid!

Michael Gellatly and part of his 14 foot painting

Last night, after a virtual opening of an Art Queen exhibition I was in, called "Inner Power",  Michael and I braved the torrential rains and headed 45 minutes away to Torrington, Ct, the Five Points Art Gallery for an opening of his in the 2021 juried show. It was a delight, and as the evening went on it was quite a crowd. Everyone eager to share about their work and connect with others. 

We made it to the bar and, with a cup of red wine, turned to look at the works. The first thing that stopped me in my tracks was a complex wall painting of Carol Taylor-JKearney (IG @caroltaylorkearney ), a reverse painting on glass of her studio space. As we read the painting we were joined by her gregarious husband. Carol's paintings are on the backs of windows with lots of additions, such as screen silhouettes and ritual candles.

Carol Taylor- Kearney

I enjoyed the symbolic narrative combined with rich detailed painting. Her husband is involved as the art handler and supportive cheer leader.  Nearby we were enamored by a sewn painting called, "Seeds and Pods", by Geri Hahn.

Geri.g. Hahn and paparazzi

Both her  (@geri.g.hahn ) and her husband were fascinating. She is an artist who identifies with her synesthesia and as the evening wore on we shared with her reactions to other works of art. I loved it when she stood in front of Michael's painting and said it sounded like a David Burn and it made her mouth water (a much abbreviated version of our actual conversation). 

Don Bracken

There was a lot of loud art and some quiet works- like Donald Bracken's clay and acrylic , "New dawn, and Marianne Petit's pop-up anatomical flap book. (Ig @ mariannerpetit )

Marianne Petit

I also loved the works by Erika Larskaya, Deborah Buck, Michele Cook, and Kim Carlino. Congrats to Nayana LaFond for winning the grand prize with her painting addressing native americans and domestic violence. She will be having a solo show at Five Points in the future!

Michael and the curious in front of his work

Call me your "summer accountability art coach"

There is still two weeks before this virtual opportunity starts.  

Called "a workshop"- it technically is just an online check-in, so you can do it from anywhere that you have access to Zoom. You only need to take notes the first meeting, June 15 at 7pmEST. You get your own materials and make your own hours.

How it works:

I will start you off with tips and tricks to setting up a studio practice that will help you complete a series of work. By walking you through handy steps and thought process, I will set you on the course with a weekly mantra. 

Once a week, Tuesday's at 7pm you will check in with me and we will discuss issues like time management, frustrations and any other blockages you may be suffering. If you miss a session, it will be recorded and available to check out when you can. You will work on your own during the week towards your individual goal. I just keep you on track by being there, to check in and ask how we, as a group, can support you.

 

In the end we have an opportunity to celebrate our successes with an exhibit of our work together through the MidHudson Arts Council in Poughkeepsie NY. 

This is a great opportunity if you want to get some art done, but know that a summer calendar can be like a run-away train. Together we will carve out time to focus, decide on a realistic scope for your series and you will create works that you will be proud of. 

Signing up soon at www.artsmidhudson.org/workshops  Registration ends in about a week.

Cost $100 -$115 for ages 16+

Make Art this Summer with an Accountability Coach

Are you frustrated with not getting to the studio? Do you need help and a plan to make some art over this summer? Are you stuck? Are you currently in a hard place and need some light? Are you confused and trying to find a creative style? Do you have ideas but lack the discipline to show up for them?

Well- perhaps it is time to Show up for the Muse with me via Zoom!!! • Show up each week for 6 weeks • All Media artists are welcome! • Once a week Zoom to check in on your progress • Email support at any time • Exhibition at end of session at ArtsMidHudson

We can do this together! I have been teaching art to all age groups for the last 26 years and have learned that making art is possible for everyone if they just show up. The challenges in life cost all of us time and space, but I am living proof that an art practice can lift you, like a life raft, through turbulent times and it can enrich your participation in the good times. Just a few years ago my marriage was crumbling. I was sitting at the bedsides of two dear dying friends and my father-in-law was degenerating into Dementia. On top of it, my children were leaving home as adults. The feeling of loss and lack was almost unbearable. By a miracle, and through a daily gratitude list, I was able to see my way to the studio. Not expecting to be able to do much, I focused on one thing, the color orange! I painted with that color until the tube emptied. Have you ever looked at an apple (the same apple) for 30 days and tried to see it differently? It is a classic art lesson that forces you to go beyond the physicality of the subject. Certain parameters on your art can actually push you to see through to a liberating perspective. I learned so much about seeing the world when I tried to paint the greens of summer in Pyrole orange! Ever since, I have been showing up every day to paint my way to health and happiness. I have seen firsthand how a daily art practice can transform a life.

Some of each series can be seen on my website: www.tillystudio.com. Now I am passionate about helping others find their way through the challenging times, and even the best of times, by showing up for the Muse. Doing anything for 40 days, and there is historic proof that it will change you!

The details! Go from feeling cloudy to clarity As your accountability coach, I will inspire discipline to the creation of at least 6, and possibly up to 40, works of art! Sign up through www.ArtMidHudson.org , under summer workshops $100.00 per person AMH Members and $115.00 per person non-members This is a virtual class. Our weekly zoom sessions will be on Tuesdays, June 15, 22, 29, July 6, 13, 20; 7pm-8pm You will be guided each week through goal setting, series synthesis, time management, handling challenges, chronicling insights, and of course-celebrating successes! The class participants will be your new support group and I will be available for email support as well. We have a group exhibit opportunity at the MidHudson Arts Gallery in Poughkeepsie!! Expect bonus PDF resources and downloads as well as links to other artists and stories of working in a series. Are you ready to show up? Working in a series has many benefits. It is a tool to process an event, emotion, and even relationships. If you do anything for 40 days it will change your life! Sign up at www.artsmidhudson.org Questions: tillystudio@aol.com Let’s show up together!

Hot Cross Buns

 I am not talking about a trip to Fire Island. It is about the magic of being where you are, and seeing icing on the cake.

Film crew from the Trevor Zoo interviewing Pa for YouTube

As the season of hibernation wanes, I feel hunger and desire. Last month we had the full "wolf moon" which traditionally references the depletion of our pantries and symbolizes bill collectors at the door. This month's full moon is the "worm moon", and... have you noticed how many earth worms are in the road? They are waking up and plowing through the thawing the soil. Perhaps it is time to go fishing?

I started the month painting pancakes. They serve as vehicles for the sweet maple syrup our farm has been producing. The sugar season was a little bumpy, with temperatures swinging from 60 to 20 degrees in the last days. We barely made 195 gallons of syrup before the trees finally started budding. The best part of the process, besides being outside in the sugar bush, is being with my dad. I get to witness how he moves from project to project, taking a moment in the sun, sawing wood with headphones, daydreaming into the steam of the evaporator pans... there is a grace and sense of solidity. When you get into a conversation, it can be really deep.

My hot cross bun, 7 x 5 inches, acrylic on paper

 I end the month with a painting of a hot cross bun, bought on impulse at the register of our local grocer. A little research online reveals the indented top and icing cross are for Jesus and the spices inside reference the embalming ingredients. These buns were common in England until 1592 when Queen Elizabeth I decreed they could ONLY be made on Good Friday, Christmas or for burials! She reasoned that they were "too delicious to be eaten any other day". Somehow I wonder if we are getting the full story. But digging further I find that the buns have protective (embalming?) powers. They can save you from shipwrecks, so were commonly taken on long sea voyages. They can also cement a friendship. There is Irish lore: "half for you and half for me, between us two, good luck shall be".  This little painting would make a good gift paired with that sentiment, don't you think?

It's easy- just be the first to email me (tillystudio@aol.com) for for directions to send $55 USA

Calendar 2021

 I've been able to print a limited edition of 2021 calendars for purchase this year. Called "Better Late than Never" the thirteen art images are those of mine that transport me to different places. It seemed an obsession with the current lack of our ability to travel freely or make plans. The last year, with the Covid-19 virus, the fiery mean-spirited politics and the intense global weather, was one we all would like to see behind us. There were many silver linings to be sure, but I think it fair to say that it was hard for all of us. So let us start anew together!

The calendar sells for $25 (shipping USA included) and is easily purchased thru Venmo, PayPal or checks in the USPS. Email me directly for yours (tillystudio@aol.com) and be sure to include an address for shipment. 

They are shipped in hand printed envelopes carrying the inspiring images of flight.

January features an acrylic painting done on site, plein aire. It is a snow covered creek at the edge of our property. In civil war times, (1870's), the creek fed a saw and gristmill, upon whose crumbling foundations I sat when I painted this. I love the way the water eats at the snow bank, and in the spring and summer we watch for red efts and listen for frogs. It must have been a lot busier 150 years ago. Hard to imagine but great to try!

February features images from my dad's sugar shack- another place that for three weeks of the year, transports you to an alchemists den. He stokes the fire under the evaporator and after the sap boils we pour the sweet syrup into bottles!

These are just two of the 13 works of art included in this year's calendar. Supplies limited. Hoping to sell out by the month's end.