


Why Paint? It is the same question as why read? Or why listen to music? Artists are hoping to be transported. I don't paint to record my surroundings (though I have said so in my "artists statements" before). And artists are not solely reflecting the society they live in, (though that is what we inevitably do). I show up each day in my studio hoping for a moment of transcendence, hoping for a visit from the Art Muse....where paint suddenly flows perfectly, laughter fills my throat, and the image I'm painting becomes a door to deeper understanding. Here are a couple examples when the Muse showed up. WE ARE IN THIS TOGETHER was a make or break piece for me. It is both a portrait of my rooster and hen and my husband and I. I don't want to get too mushy- but I've been married 19 hilly years and with this painting I accept whatever destiny has in store for us. LOOKING BACK LOOKING FORWARD is a painting that turned into a record of my delivering my eldest son to boarding school. I painted the roadway and sky from memory. My son Kent is both the chick and the old rooster. Who is looking back? Who is looking forward? This painting marks a big change in my home world. PIG KISSES is a small painting made just before my son, Max's pig had to leave the farm. This is the third and last year Max is raising a pig, and he always gets a bit sad. He is also sometimes too awkward about kisses. PIG KISSES is a portrait of me and Max. So these pieces gave comfort to me beyond the act of painting them.
Well written commentary on the subject, "Why Paint." The symbolism in your whimsical paintings is very comunicative.
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