The first was my example. I was inspired by the idea of passing through NYC on the way to our farm.
Here are 11 of the student paintings, out of 28.
By Francesca L.
Seruit.
Halle P.
Ilana, Brandon, Conner, Giorgia,
Danielle, Nicci, Dani, and Daniel.
Remember that thou art dust, and to dust thou shalt return.
—Genesis 3:19
According to Wikipedia, "in some traditions, other practices are sometimes added or substituted, as other ways of symbolizing the confession and penitence of the day. For example, in one common variation, small cards are distributed to the congregation on which people are invited to write a sin they wish to confess. These small cards are brought forth to the altar table where they are burned."
My portfolio is retrospective in scope and effect. Over the last several years I have chosen the methodology of working in time based series that respond to and chronicle events in my life, such as burying a friend, getting a divorce, sending my children away, and letting go of the past. The people who collect my work send me long private letters about their circumstances. Our relationships are brief and poignant. Their words can find their way into the next work. The paintings, in retrospect, prove the symbolic act of painting as a soul connecting experience. The successful ones uncover and celebrate the hard mysteries of our place in the universe. They deal with the anxieties of our time and questions of relevance, such as self-identity and purpose.
I feel as though this circles round and round. Is that the point of handwriting?
Hope is the thing with feathers
That perches in the soul,
And sings the tune--without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.